Maurice Dufrène was a central figure in early 20th‑century French decorative arts, whose work reflected and animated the transition from Art Nouveau’s organic richness to the poised modernity of Art Deco. Born in Paris in 1876 and trained at the École nationale des arts décoratifs, he quickly aligned with progressive circles around La Maison Moderne, contributing to a new synthesis of tradition and modern form.

In 1921, he took the helm of La Maîtrise, the design workshop of Galeries Lafayette, where he shaped a generation of furniture and interiors distinguished by refined geometry, finely chosen materials and subtle ornament. His contributions to the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes helped define that moment’s visual language, positioning French decorative arts at the forefront of progress.

His work stands as one of the most articulate expressions of a French decorative ideal reconciled with the imperatives of modern life.